Mary’s contribution to our book arrived through the letter box yesterday morning, full of colour, inks and prints. I want to add to these pages of loveliness, but as yet I haven’t formed a clear idea of how to proceed, so I’ve left it to percolate for now.
Mary also sent me a book made from photocopies of portraits drawn by students. This resonated deeply with me; my own work is intimately concerned with personal narratives, landscapes of the mind, and journeys, and the portraits reminded me both of my teenage self in art class at school and my young daughter currently growing into an adolescent.
I dismantled Mary’s book and reassembled it to include some recent photocopies my daughter made of her own hands; both seemed to be deeply evocative of a stage in a life, a memory, a snapshot of a moment in time.
I am now considering how to work in and around the pages Mary and I have contributed to this next book in the series.
I have also been working on another project which I am thinking of adding to this interesting conversation; this book is in a scroll format and follows on from some of the ideas and techniques I developed in response to Suzanne’s bold and bright prints.
Again, a work in progress; I don’t want them to be finished pieces as I want to leave room for Mary to respond, to keep the conversation open.
I’m enjoying working in this very open way; I can work on pages Mary has sent me, and I can also work on new ideas as they crop up. We’re also not confined to a single format, which I’m finding liberating. I’m relieved that Mary has responded so positively to my January pages, and has embraced the less structured, experimental way of working together.
I am inspired and excited; the conversation has started well.