April Sketchbook

Suzanne’s March pages have come back to me; this time there is a strong emphasis on the unnoticed, the ordinary, the overlooked. I am quite fascinated by the idea of psychogeography, and through my own practice have become more aware of my own surroundings and the effect they have upon me and my thought processes.

I live on a large council estate at the outer edge of the city; it is a place of contrasts. Detritus, fly-tipping, run-down garages, graffitti are all commonplace; and yet there is also a profusion of  opportunistic wildlife and greenery – urban foxes, kestrels, ancient woodland, bluebells. This place on the cusp, where farmland meets the bypass, has undoubtedly had its effect on my internal journey.

I have been working on my response this week. Sitting in my studio, the idea for a new direction in my personal work has dropped into my brain; inspiration exists, but it has to find you working, in the words of Picasso. Fascinating how the creative process works – how different projects feed and enrich one another.

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