Tomorrow I’m off to New Art Gallery Walsall to start the installation of the ATS final exhibition. I’ll be posting some pictures of the work in progress, as well as the finished installation and exhibition on Thursday and Friday.
I’ve been feeling a bit lost without my little paper rolls, although I’ve continued on the same theme of making small, repetitive marks. I’ve not been measuring with these drawings, so the regularity of the marks surprises me. The sound the pencil makes on the paper makes a meditative rhythm; it’s easy to get lost in the task and zone out, so I’m not sure they’re a very accurate representation of the passage of time… or maybe they are… maybe they are about the perception of time… or something.
And the red string has put in a reappearance, this time wrapped around folded strips. More archives.
My personal practice continues to be preoccupied with internal journeys, and a term I found in Robert Macfarlane’s thought-provoking book ‘The Old Ways’:
The word Wittgenstein used for ‘thought’…
‘Denkbewegungen’ is a coinage that might be translated as ‘thought movements’, ‘thought ways’ or ‘paths of thought’: ideas that have been brought into being by means of motion along a path (weg).
I’m continuing to make long narrow books, which seem to me to depict these ideas. They always seem to turn out tied up in the same red wool, sent to me by a fellow Sketchbook Circler. I am fascinated by this wool and cannot say why it features so strongly in this body of work.
Yesterday I started making photographs of the wool itself. I am reminded of Magritte’s painting of a pipe entitled The Treachery of Images. This isn’t really a pipe, it’s only a representation. The images of the wool aren’t really the wool either, they are just images; but the wool has begun to take on a more loaded meaning, a subtext or meta message. It’s a representation of something that represents a whole raft of other ideas, if you follow me. It’s the continuous thread running through my life that represents the persistence of identity, my continuing personal narrative, the enduring trace throughout all the reframing, reinventing, rethinking, reconsidering.
It’s not just a piece of wool.
This week I’ve been investigating ways to make drawings three-dimensional. Here are some of my favourites. I’ve tried to echo the large gestural movements of my earlier, large-scale drawings, and I have become particularly interested in how the shadows cast by the wire and thread have become a part of the ‘drawing’.
It’s that time of year again… I’m working for the last time in the book I have shared over the year with Ben, before I post it back after Christmas. I’m feeling a sense of achievement as I look back over the pages we have shared, and the visual conversation we have had. I have been lucky enough again to share with two talented practitioners who have made me think, and have challenged my own practice.
My experiences on the Artist Teacher scheme have inevitably found their way into my sketchbooks this year, and vice versa, reminding me how different aspects of my practice all inform each other and are influenced by each other. Having the sketchbooks on the go alongside the ATS enables me to put ideas on the backburner and work on something else, or try things out in a different way, allowing me to explore and experiment in different contexts.
I have sent my sketchbook back to Louise for the final time, and I’m excited to see how she responds to my final additions. I have signed up for another year of the Circle, hopefully one sketchbook partnership and one digital partnership; I am already excited about where the experience will take me next.
Liminal: adj, technical, i) of, or relating to a transitional or initial stage; ii) at a boundary or threshold (Oxford Concise English Dictionary).
This is a word I have come across fairly frequently of late; it appears quite a lot in artists’ statements in degree shows and galleries, and I’d read it a few times before I happened across it in this post by Andrea Liu. I looked it up, forgot about it, forgot what it meant, and then it cropped up again a couple of days ago on the WordPress inspiration site, The Daily Post. So I looked it up again. This time the word resonated; I don’t think I’ll be adding it to my artist statement any time soon, as my style is a bit more down-to-earth that that, but I’m definitely at a transitional phase in my personal and professional journey as an artist.
It’s also another transitional phase in the Sketchbook Circle cycle; I have made my last contributions to the book I have shared this year with Louise, and will be sending it back for her to put in her own final additions; and Ben’s book will soon be on it’s way back to me for the final time. I’ve signed up for another year’s collaboration, and am hoping this time to push myself out of my comfort zone and enter into a digital collaboration as well as a sketchbook partnership. Sketchbook Circle has and continues to be a pivotal experience in my artistic and professional life; the group is vibrant, creative and supportive, and I have connected with some amazingly talented individuals. It has inspired me to take my work in new directions, and combined with this year’s experience on the Artist Teacher Scheme, I have been motivated to take my practice out of a sketchbook and work in new, and sometimes surprising ways. This excites me and scares me in equal measure, but I continue to put myself in situations which challenge me. I have been inspired to leave my regular job in order to pursue a freelance career, and I am making connections and discussing projects with new people. I look back on my first hesitant pages in my first shared sketchbook two years ago and reflect on how far I have come.